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NEW YORK CITY OPERA ANNOUNCES CASTING FOR VOX 2011

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New York City Opera Announces Casting for VOX 2011

12th Annual VOX Contemporary American Opera Lab Expands to Second Stage at Le Poisson Rouge
 
Two Librettos Featured Selected from VOX’s Words First Librettist Program
 
Tickets On Sale at $25 and $15
 
(New York, NY, April 19, 2011) New York City Opera today announced full casting details for the 12th season of its celebrated annual new music festival, VOX Contemporary American Opera Lab. The festival kicks-off on Saturday, May 14 with performances at NYU’s Skirball Center for the Performing Arts (Skirball), and continues on Sunday, May 15 with a new series called Second Stage, where the second day of the festival will move to the more intimate club setting of Le Poisson Rouge. The VOX program gives composers and librettists an opportunity to workshop pieces that are in early stages of development or have been composed for smaller ensembles.  All of the selected works will be performed by an orchestra and soloists. 
 
City Opera’s 2011 VOX festival will feature performances from several City Opera artists including Meredith Lustig who recently made her debut as Giannetta in The Elixir of Love, Nicholas Pallesen who appeared as Robert Storch in Intermezzo, and Yunah Lee, best known for her portrayal of Cio Cio San in Madama Butterfly.
 
For the first time in VOX history, the festival features two works that have been developed out of VOX’sWords First librettist program. Words First began in 2009 as a way to support a working group of established playwrights with an interest in writing opera librettos. The two selections chosen from the Words First program include Arlene Sierra and Lucy Thurber’s Faustine and Paola Prestini and Donna di Novelli’s De Deo.
 
The ten selected operas showcase the many distinguishing traits that make contemporary American opera unique. Featured works include musical theater composer Andrew Gerle’s The Beach; Huang Ruo and Candice Chong’s Sun Yat-Sen, which will have its world premiere in fall 2011 at Opera Hong Kong; and David T. Little and Royce Vavrek’s Vinkensport, which was commissioned by Dawn Upshaw's Graduate Vocal Arts Program at Bard College, and had a workshop production in February 2010.
 
Six opera excerpts will be presented at Skirball on Saturday, along with a pre-performance panel discussion on producing art in alternate spaces, and a post-show artist talkback. Both discussions are open to all ticket holders.  Four operatic works arranged for smaller ensembles will be showcased at Le Poisson Rouge on Sunday. The audience for Sunday’s performances is also invited for post-show drinks with the composers, librettists and singers.
 
Tickets for VOX will be $25 for the performance at Skirball, and $15 for performance at Le Poisson Rouge. Tickets are on sale now, and can be purchased online nycOpera.com/VOX, through CenterCharge at 212.721.6500, or in-person at the David H. Koch Theater Box Office.  Tickets will also be available at the venue on the day of the performances.
 
About VOX Contemporary American Opera Lab
VOX is an opera lab of new works that offers American composers and librettists the opportunity to hear their works performed by professional musicians in an exploratory setting. Every year, VOX presents up to twelve new and previously un-produced works from both emerging and established composers in orchestra readings that are free and open to the public. For the last half century, New York City Opera has been a leader in the development of American opera. City Opera has presented an unmatched repertory of American works, including those of over 50 American composers, and has shaped an American aesthetic for opera through the world premieres of more than 25 American operas. VOX is at the core of New York City Opera’s commitment to American opera; to date, VOX has presented excerpts from more than 100 new operas, with more than 40 of those going on to full productions — six at City Opera and the others at companies including Houston Grand Opera, Los Angeles Opera, Washington National Opera, Michigan Opera Theater and Santa Fe Opera.   


SELECTION DESCRIPTIONS
 
NYU’s Skirball Center for the Performing Arts
566 LaGuardia Place 
(Washington Square Park South)
New York, NY 10012 
Tickets: $25
nycOpera.com/vox 

Saturday, May 14

1:00-2:00 p.m.
Panel Discussion: Producing art in alternative spaces, moderated by Beth Morrison
Performances will be followed by an interactive discussion with New York City Opera’s General Manager and Artistic Director George Steel, Music Director George Manahan, and Director of Artistic Planning Ed Yim.
 
All Three Acts of a Sad Play Performed Entirely in Bed
Music by Dag Gabrielsen
Libretto by Julie Larios
Set entirely in the comfort of her covers, a woman recounts memories of an affair in her youth.  The relationship begins to deteriorate and only after comparison with new lovers does the woman realize the true love that she had.
 
Ryan McAdams         Conductor
Meredith Lustig            Lily
Karin Mushegain       Lyle
 
Faustine
Music by Arlene Sierra
Libretto by Lucy Thurber
This adaptation of Emma Tennant's Faustine explores the power of a selfish, consumer-oriented desire for eternal youth and beauty.
 
Ryan McAdams           Conductor
Jason Abrams          Devil
Jennifer Roderer      Muriel
Deanna Breiwick       Ella
Amanda Pabyan       Anna
Ian Greenlaw               Harry
 
 
Mary Shelley
Music by Allan Jaffe
Libretto by Deborah Atherton
Based on the life of novelist Mary Shelley, this retelling follows the life of the famed Frankenstein author and the personal effects of the literary monster she created.
 
Kazem Abdullah       Conductor
Jon-Michael Ball       Shelley
Joshua Jeremiah      Byron
Nicholas Coppolo      Polidori
Yunah Lee               Mary 
Jennifer Tiller          Clare
Matthew Curran       Monster
Benjamin P. Wenzelberg      Child
 
Sun Yat-Sen
Music by Huang Ruo
Libretto by Candice Chong
While fleeing an assassination attempt, Sun Yat-Sen, the leader of the Chinese Revolutionary Alliance, marries the daughter of a friend and fellow revolutionary without his consent.  After a botched attempt to overthrow the old government, the old friends are reunited and the marriage is blessed.
 
George Manahan       Conductor
Guang Yang            Ni Gui-Zhen
Dong-Jian Gong      Charles Song
Yingxi Zhang          Sun Yat-Sen
Xi Wang                 Lu Mu-Zhen
 
 
The Beach
Music by Andrew Gerle
Libretto by Royce Vavrek
Inspired by recent events in France, this music drama documents the abuse of a wealthy older man by his much-younger wife, who has locked him away in the confines of the laundry room to escape the stress of her husband’s onset of Alzheimer's.  After nearly a year, he is rescued from his fantasies of spending a year at the beach – and his makeshift bed of unwashed towels.
 
George Manahan       Conductor
Caroline Worra        Adele
Jane Shaulis            Margaret
Nicholas Pallesen    Jean-Luc
Bailey Grey                 Dede
William Ledbetter    William
 
Vinkensport
Music by David T. Little
Libretto by Royce Vavrek
A motley assortment of contestants participates in a finch-sitting competition to see who has the most melodious bird. Although a seemingly simple and gentle competition, the competitors’ inner monologues and flashbacks to their preparations reveal deep-seated rivalries, painful loneliness, and blossoming romance.
 
George Manahan       Conductor
Amanda Hall           Farinelli’s Trainer
Jennifer Tiller          St. Francis’ Trainer
Michael Marcotte     Hans Sachs’ Trainer
Joshua Jeremiah     Gabriel III’s Trainer
Kerri Marcinko    Sir Elton John’s Trainer
 
 
SELECTION DESCRIPTIONS
  
Le Poisson Rouge
158 Bleecker Street
New York, NY 10012 
Tickets: $15
nycOpera.com/vox 

 
Sunday, May 15
7:30 p.m. – 10:00 p.m.
Ticketholders are invited to stay for drinks with the artists following the performances.

Blood Rose
Music and Libretto by Hannah Lash
The classic Beauty and the Beast legend is turned on its head in this updated drama. To alleviate Beast’s sense of rage from the devastation of his garden, he uses the blood of Beauty to water his broken flowers in an attempt to make them bloom again.
 
Robert Trevino           Conductor 
Daryl Freedman      Beauty
Eric Brenner            The Beast
 
 
De Deo
Music by Paola Prestini
Libretto by Donna DiNovelli
In the opera, De Deo, a contemporary young man from Brooklyn, in search of his identity, is led by a Roma tour guide into the medieval mechanism known as the wheel.  Wheels, built into the walls of Catholic churches across the European continent, carry infants into a massive system of foundling hospitals along with the unwed mothers who abandon them. What begins as a search for identity becomes a quest for the divine as the wheel resurfaces throughout history. 
 
Robert Trevino        Conductor 
Meredith Lustig         Roma
Marcello Guzzo       Matteo
Amy Shoremount-Obra Beatrice 
Robert Mack          Pietro
Matthew Curran     Thug/Shepherd/Jailer
 
 
Maren of Vardo
Music by Jeff Myers
Libretto by Royce Vavrek
Inspired by real events in 17th century Norway, a young girl’s supposed alliances with the devil lead to betrayal and vengeance in their unrequited romance.
 

Robert Trevino           Conductor
Deanna Breiwick       Maren
Nicholas Pallesen     Satan
Yunah Lee               Bodil
Matthew Burns        Priest
 
 
Three Weeks 
Music by Yoav Gal
Libretto by Reuven Namdar
This docu-opera traces the events surrounding the three-week period leading up to the Ninth of Av Day of Atonement, marking the destruction of the Second Temple in Jerusalem in the year 70AD.   Partly historical, partly legend, this episode still reverberates today, especially in its mirror relationship to the rebirth of the modern state of Israel.


Robert Trevino           Conductor
Judith Berkson         Narrator/Daughter of Nakidimon
Cherry Duke             Martha/Soprano
Jon-Michael Ball        Yochanan/Tenor
Ian Greenlaw           Messenger/Baritone
Heather Green             Aspasianus
 
About NYU Skirball Center
The Jack H. Skirball Center for the Performing Arts is the premier venue for the presentation of cultural and performing arts events for New York University and lower Manhattan. Led by executive producer Jay Oliva (President Emeritus, NYU) and senior director Michael Harrington, the programs of the Skirball Center reflect NYU's mission as an international center of scholarship, defined by excellence and innovation and shaped by an intellectually rich and diverse environment. A vital aspect of the Center's mission is to build young adult audiences for the future of live performance.
www.skirballcenter.nyu.edu
 
About Le Poisson Rouge
Le Poisson Rouge is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue's mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.
 
Sponsors and Supporters
VOX 2011 is made possible with leadership support from The Andrew W. Mellon Foundation. 
 
Major support provided is by The Amphion Foundation, Inc., the ASCAP Foundation, John E. Baumgardner Jr., Carol M. and Timothy A. Cole, The Aaron Copland Fund for Music, Inc., The Gladys Krieble Delmas Foundation, The Francis Goelet Charitable Lead Trusts, Younghee Kim-Wait, Linda and Stuart Nelson, Raymond Steckel, Virgil Thomson Foundation, Ltd., The Helen F. Whitaker Fund, and contributors to the VOX Special Appeal.  VOX is funded, in part, through Meet The Composer's MetLife Creative Connections Program. 
 
Public support is provided by the New York City Department of Cultural Affairs and the New York State Council on the Arts.
 
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Press Contacts:
 
Maggie McKeon
Director of Public Relations
212.870.7718 / mmckeon@nycOpera.com
 
Shara Seigel
Publicity Coordinator
212.870.5632 / sseigel@nycOpera.com